C28 鮮于枢：行草真蹟

鮮于樞: 行草真蹟

鮮于樞（1257－1302），漁陽人。字伯機，號困學民、直寄老人。至元間（1335－40）官江浙行省都事，晚年避居西湖，不問俗事而好調琴作書。書學金張天錫，行楷得晉唐之筆意，用功極深。比肩趙孟頫，同為元代著名書家。是冊行草書杜甫等人唐詩十二首，結體緊湊，筆勢雄勁，與趙孟頫之端壯流麗恰成對比。

鮮于枢：行草真蹟

鮮于枢は中年以後、官を辞して西湖のほとりに室を構え、門を閉ざして客を避け、俗事を嫌って琴書画に親しんだと伝えます。書法は刻苦して大成したといわれ、本作、行草おりまぜて著名な詩12篇を書しています。豪放磊落、あるいは同時の趙孟頫をも凌ぐかと評される名高い傑作。

Hsien-yu Shu : Semi-cursive and Cursive Calligraphy

Hsien-yu Shu (1257 1302) was a native of Yu-yang, north of Tientsin. His style name was Po-chi, and his sobriquets were K'un-hsueh-min and Chih-chi lao-jen. He retired from the bureaucracy in his middle years, avoided worldly affairs and spent much of his time playing the ch'in zither, writing calligraphy and producing painting. He followed the calligraphy style of Chang T'ien-hsi and is said to have attained greatness through hard work making him one of the prominent calligraphers of the Yuan dynasty in the rank of Chao Meng-fu. This work is a transcription of twelve poems from the T'ang dynasty such as that by Tu Fu, executed in semi-cursive and cursive script. It indicates his openmindedness and magnificent strength, and is a masterpiece perhaps outshining the works by Chao Meng-fu.

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